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The first half of the 1965 P.J.
Proby Show was
excellent entertainment with fantastic performances by Melbourne
duo Bobby and
Laurie, New Zealand's Dinah Lee, and Sydney group The Easybeats.
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P.J. Proby stayed at the
Sheraton Hotel, (above), whilst in Sydney on his 1965 tour. |
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Leanne Thomas for providing excerpts from the official
concert programme). |
During
the intermission the sense of anticipation
was
electric as no one knew quite what to expect in the second half,
particularly as when
Proby had learned of the stadium's boxing history in the lead up to the
concert he publicly offered to
take on all comers on stage.
As the lights dimmed, the
crowd hushed and then screams came from the audience as a lone spotlight suddenly focused on the entrance.
Shortly after, P.J. Proby's incredible voice filled the stadium before being drowned out
by a deafening welcome from the crowd who were on their feet. The audience went wild
as he made a run towards the comparative safety of the centre stage,
out along
a barricaded aisle which was lined by
policemen and security personnel who did their best to shield him from
the clutches of his fans.
Not all of the crowd responded so
favourably to Proby immediately, for some near me had obviously attended just out of
curiosity, suspecting that something out of the ordinary could
possibly happen and initially offered subdued applause. But by the
end of his third song, backed by his 10 piece orchestra, and chorus, Proby had cast a spell on the entire audience and
was totally in charge and the crowd was going berserk.
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saw many local and overseas artists perform
live at Sydney Stadium and elsewhere and I
can honestly say that I have never seen
anyone who went anywhere near matching the
incredible performance by P.J. Proby at
Sydney Stadium that Saturday night, 4th
September, 1965.
He was absolutely sensational. A brilliant
performer with a voice to match, a non-stop
shaker and mover, with a stage act and stage
presence the likes of which had never been
seen before.
Proby majestically prowled the stage like a
superb untamed mauve panther and made the
stage his own domain, mincing and grinding
his way around every inch of it in perfect
rhythmic co-ordination, as multi-coloured
streamers, thrown by the audience, rained
down on him from every angle.
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Wearing a mauve velvet jump suit
with a matching bow in his pony tailed hair,
mauve buckled shoes and with his right hand cupped
to his ear, he delivered the most mesmerising and
physically exhausting performance I have ever seen.
He certainly had an amazing effect on his audience. |
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Alternating from frantic paced rock
songs to beautiful ballads, he would drop to his
knees and hang over the edge of the stage as he sang
love songs to the girls in the audience, teasing
them and working them into a state of hysteria as
they reached out to try to touch him, while all the
time his magnificent voice remained faultless.
Police and attendants repeatedly repelled teenage
girls from climbing onto the stage, however, during
the concert many managed to get on stage and wrap
their arms around him before being forcibly
restrained and returned to the audience. |
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Pandemonium broke out when Reverend
Roger Bush took to the stage, stopped the show and began to denounce
Proby before finally being forced to give up as he was loudly heckled
off the stage by the crowd. |
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A bemused Proby went to all
four sides of the stage in turn, calling for support from each section
of his audience; "Am I clean?, ...Am I
clean?"....he asked repeatedly. The response was an uproar as we screamed our agreement before he
was eventually satisfied and resumed
singing and again was in total control.
Sure,
P.J.'s stage act was sexy and suggestive for those times, and totally
wild, but it certainly wasn't lewd or
obscene as the good Reverend had claimed. How Proby's pants didn't split
that night I'll never know, because he certainly punished them. Had his
trouser seams been designed to split as had been suggested by some, it would
have happened that night for sure.
To me, that concert was the ultimate
performance, delivered by a master showman who
worked himself virtually to the point of
collapse. How he could sing so perfectly,
whilst moving so fluently, for so long, defied
belief. The only time he stood still was
when Rev. Roger Bush stopped the show by taking
the microphone from him.
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Prior to that night I had never
seen a solo artist or group perform continuously on a show in excess of
half an hour, with most performances in those days lasting around 15 to
20 minutes. P.J. Proby performed tirelessly for more than one hour in a
workout that would have found most athletes of the day wanting, and with
his incredible talent and stage presence he converted doubters in the
audience into his disciples.
When the show ended, an exhausted Proby was mobbed by hysterical teenaged girls who climbed onto the stage from all
directions, outnumbering police and attendants they knocked him over and
pounced on him. It was some time before he could be rescued by police and
attendants and the audience remained standing and continued screaming,
whistling and applauding as he was half carried
as they gradually battled their way through the swarming crowd to the exit in
chaotic scenes, resembling a riot.
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Once we were outside the stadium, I still recall people were in awe at what they had seen. Guess
you just had to be there, but it was simply amazing. |
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That 1965 P.J. Proby Show was by
far the
best and most action packed concert I ever saw and surely it had to be the most
sensational ever staged at Sydney Stadium.
The concert was front page news the
following day. |
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If you were there, or attended
another P.J. Proby concert, I would be
interested in your recollections, and,
if you indicate that it is ok to do so,
I may publish your recollections on this
site. |
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Check out Jack
Seymour's 1965 concert photos.

Jack Seymour |
| FOOTNOTES:
1
I was reluctant to include on these
pages the news article in which Rev. Bush called Proby "The Merchant
Of Obscenity", as I recall feeling that it was rather harsh at the
time and also I thought that P.J. might not appreciate it all these
years later. However, I
mentioned it to P.J. Proby, (Jim to his fans and friends), when we
caught up with him at Littlecote House, Hungerford, U.K., in August 2006, at the commencement of his Ring Of Fire Tour.
Jim laughed and said
it was fine to include the article on these pages as far as he was
concerned, as it didn't worry him at all. And he fondly recalled his run
ins with the late Rev. Roger Bush in Australia and implied that the Reverend had actually
given him some assistance with his quest to empty a bottle of bourbon and
was rather worse for wear by the time he left Jim's suite at The Sheraton
Hotel after the interview. From Jim's reflections it was obvious that by
the time they parted company they had
a mutual respect for each other.
2
Some years ago, prior to
commencing this website, I provided copies of articles from my "Aussie
Scrap Book" to my friend the late Auke Middell for inclusion on his P.J.
Proby website based in The Netherlands. I have decided to now use these
articles on my Australian Pages also, in order to expand and in an
endeavour to make my pages more interesting and Auke's widow Sylvia has
agreed to me doing this. Thanks Sylvia and also U.P, (Joep Kilkens), for
assistance in making these arrangements. Please visit Auke's P.J. Proby
site via the Links Page on this site.
3
There is a recording by The Earl Slick Band that some Proby fans may be
unaware of, simply called "P.J. Proby"
about Proby's wild stage performances and virtually the only part that I can
distinguish (it's heavy metal), is that repeated question, Am I clean? which
Proby asked
his Sydney audience back in 1965.
Do a Google search and you can probably listen to it.
4
Check out Bonnie's Laurie Allen
Tribute Site, (which you can find from my Links page), for details about
Bobby and Laurie who were one of the great support acts on the 1965
Australian P.J. Proby tour. They were big Proby fans and also recorded
"Hold Me". |
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